not exactly work in progress…

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#Author-story ~ Contemporary Writer #3

John Berger, born 5th November 1926, died 2nd January, 2017


There’s something in this page shown above that is very resonant of work seen during British Art Show7 in 2011, particularly those shown at Nottingham Castle. So maybe one day I’ll tie up some loose threads and get something down. For now, this post is a re-working of a draft from January that was almost lost to the ether in some kind of failing / crash.

Why ‘Ways of Seeing’?

[Originally, I drafted this writing for an ‘Authors who made history’ post for BW so this fact was pivotal:]

For many years now, John Berger’s book, ‘Ways of Seeing’, has been on the compulsory reading list of almost every British art and design course. I’d either somehow missed that fact back in my art student daze, or glanced it over and dismissed it out of hand. During a W.E.A. class a few years ago now (how time flies!) I spent a while browsing this book in the gallery reading room. I still couldn’t quite see WHY is it such an important text in relation to appreciating or creating art? Sadly, I remained completely oblivious to his other works as a poet, writer and artist until researching for this post following news of his death.

I appreciated it- ‘Ways of Seeing’ –  better, from a distance, via some limited preview chapters in an online PDF. The book was developed following the BBC’s four-part television series presented by John Berger and credited with changing the way the nation received, or thought about, art and art history.  I had never even heard mention of the television programme until I saw it was the basis of the book. Apparently the programme may be available to purchase as a video download, although even so these days UK viewers will still need a TV licence. I don’t know if that means such products are with-held from consumers elsewhere in the world.

It’s said to be based on and influenced by Walter Benjamin’s essay ‘The Work of Art in the Age of Mechanical Reproduction[wikipedia link].

“The most uplifting thing about Ways of Seeing is Berger’s optimism about the age of the mass-circulating reproduced image, which, back in 1972, meant images in newspapers and magazines, on advertising hoardings and television. These days of course it also means on Facebook, Instagram and the internet at large. …”

[quoting Jonathon Jones in his article discussing Berger’s language of images at The Guardian, published 3rd January, 2017]

Here’s a small excerpt from page 150 of Ways of Seeing, where, in relation to publicity, Berger tells us:

“…The world smiles at us. It offers itself to us. And because everywhere is imagined as offering itself to us, everywhere is more or less the same.”

In the BBC Radio 4 programme, Front Row, broadcast 3rd January 2017, writer/broadcaster Lisa Appignanesi and art critic Richard Cork discuss Berger’s work (audio file still available to listen at time of writing opens, at approx. 21minutes with an audio clip of John Berger speaking. The second link skips to that segment, or to see programme info and listen to the whole 28min+ click the first link.


After serving two years with the army from 1944 to 1946, assumedly compulsory conscription, in the late 1940s Berger trained as an artist at the Chelsea School of Art and the London School of Art; he exhibited in London and taught drawing until 1955. His first novel, ‘A Painter of Our Time’ was published in 1958 and his first published collection of essays, ‘Permanent Red’, in 1960. Among other awards in his lifetime, he is probably best known for controversially donating half his Booker Prize fund to the Black Panther Party after his novel ‘G’ was selected for the prize in 1972.

“For me there were too many political urgencies to spend my life painting. Most urgent was the threat of nuclear war – the risk of course came from Washington, not Moscow.”

John Berger quoted in an article by Michael Glover published at the Independent on 3rd January, 2017.

There are lots of articles about John Berger to be found online and the British Library archive for John Berger and the wikipedia entry for his bio and list of works could keep me (or you) .out of mischief for an interesting while enough.

I haven’t yet bought a copy of ‘Ways of Seeing’, I’m still thinking about it, maybe until one shows up at a knock-down price I can’t refuse. I did however buy Berger’s 2016 book, ‘Confabulations'[ISBN:9780141984957], published in October by Penguin shortly before Berger turned 90 years of age, sadly not in time to help the old man out with some return. I might well journey in exploration of those delightful writings, and more, another time.

A final quote to close, from the first page of the text in John Berger’s Ways of Seeing, at page 7:

“The relation between what we see and what we know is never settled. Each evening we see the sun set. We know that the earth is turning away from it. Yet the knowledge, the explanation, never quite fits the sight.” [John Berger, Ways of Seeing]



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Authors Who Made History: Jean Genet

Bit carried away making a longread for my first guest post at Blogger’s World for today’s weekly #authorstory feature…

I realised after posting that 2011 marked 25 years since Jean Genet died and that will probably be why his life and work became the subject of a contemporary art exhibition. I then of course also realised that in April this year is 30 years since Genet’s death…

I am aware that most readers who catch sight of my post are not going to be rushing over to read 2k more words! So, I bring here to the top my top pick of the links I shared in my essay…

Even if you have limited or no understanding of the French language, if you have 25 minutes and 16seconds to spare, this reading of Genet’s poem ‘Le condamné a mort’ with music is superb.

Or, you might prefer a four minute listen to the Dire Straits song, ‘Les Boys’, a post-humous-tribute to Genet…

Before I go too much further increasing the combined word-count even more…


Giacometti’s 1954 sketch of Genet

… if I were forced to limit to just one more top-pick-link to share something of Genet with you, then it would just have to be Nottingham Contemporary’s Genet exhibition guide (pdf) from summer 2011 – oh, and this webpage from the gallery too, because it shows extra pics from the exhibition… mostly not of Genet, but of contemporary artists’ works inspired by Genet.

If you prefer a standard chronological type biography and list of works, then I think you should find one by clicking the hyperlinked ‘Genet’ in the title of my post below. Cheers for reading 🙂

P.S. If my tags seem inappropriate it’s because they apply to the essay as a whole, not just the reblog portion….

Blogger's World!

A personal essay – An Introduction to Genet

“To achieve harmony in bad taste is the height of elegance.” Jean Genet, from The Thief’s Journal, 1949.

JeanGenet-HansKoechler1983-cropped French writer Jean Genet, born in Paris, December 19, 1910 and returned to Paris shortly before his death. He was found dead aged 75 years, on 15th April, 1986, in his room at Hotel Jacks, not far from the clinic where he had been born.

Although Genet had been ill with throat cancer for many years, it is believed he died after falling in his hotel room and hitting his head.

“… Genet’s own death, intimately anticipated, still caught him violently by surprise. And that surprise of death struck Genet’s readers too, since almost all had assumed him already dead after a silence of many years: Genet’s death contrarily recussitated him.”

(biographer, Stephen Barber, from Chapter 1, page 11 of his book ‘Jean Genet’ *screenshot…

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Level(ling) Uncertainty

I’m starting this post loosely drawing together my beginning and end points of my activity for today’s Writing101 assignment and indulging in time travel along the way. From a choice of six single word prompts I rejected Love, Home, Secret, Treasure,( another one that’s lost from my memory right now in a hurry to post and can’t afford distraction).

I made a snap decision choosing to use the prompt ‘Uncertainty’, in part because it sums up my situation in so many ways. I don’t actually want to use that prompt in that way of writing about how uncertainty affects me. Enough already is all over my blogs about such issues and more will likely appear anytime it springs out or seems relevant.

My pocket notebook is a special gift from my mother from last Christmas, unused until April’s ‘How Writers Write Poetry’ mooc when it was used for poetry sketching excercises – that is sketching with words in note form of observations to gather potential material to use for poetry writing. I only managed to get out for observations once, along the way of an essential bus journey. I didn’t manage any more notebooking as per the course suggestion once I’d worked through that particular writing task and was more than a bit disappointed to have not made better use. I’m much happier now it’s become a mini sketchbook and doodle pad…Below is my final sketch in my pocket notebook for #DrawingAugust. 



Whenever I see or hear the word ‘Uncertainty’ a particular contemporary artist springs to mind. John Newling is a locally acclaimed and much respected artist of international renown. I was fortunate enough that whilst at uni I was referred for a tutorial with him and advised to go seek him out to make an appointment. On finding him at a workbench in the art workshops I had a there and then unexpected tutorial, even though I’d interrupted his work to ask for an appointment .I remember that day very well, twenty-one years ago (in another month or two – maybe noted in my files if I ever get round to looking). The conversation we had that day was probably fairly brief but enjoyable, encouraging and an absolute privelege. It had a profound effect on the way I interacted with art from then on, whether my own art or the work of others, based on the simple advice to “document everything”.

That word, uncertainty, now always makes me thing of ‘Singing Uncertainty’, a project by John Newling in circa 2011. A resulting video was shown in the main entrance of Nottingham Contemporary during his exhibition there. I’ll have to add links later, but you can google or whatever if you wish 😉

Singing Uncertainty

I love working with colour, even in the simplest ways, as if a child with a box of crayons and a piece of paper – or any other way I find or fancy. Yesterday, on my blog ‘the Wishing Well’, I made a colourful visual list of music I’d like to listen to ‘when I feel well enough’. I forgot some, as we do with long lists. (Indexed in page at top of blog if interested to view that list.)

I was really pleased with having used colour and the simplicity of that music play-wish-list. Somehow it made me feel a bit better to have made it. Late last night having decided on ‘uncertainty’ for my prompt for today’s task, I sat up in bed, grabbed a handy piece of paper and my cheap kiddy style jumbo pens. I didn’t want to write another poem for this and typing to work my idea through would have turned into a poem,

I counted the letters in ‘uncertainty’, selected my colours and decided to make another list type response for an acrostic type piece of automatic writing, not shaped this time as it was inappropriate for the task in mind. So I wrote very quickly the first sentence that came to mind for each letter. (Pic of that piece of automatic writing at Fishing4Soup)

I didn’t post it straight away but once made and I felt satisfied I was able to sleep at still a reasonable time to be going to sleep rather than by first light(!) I’ve had a fun day today deciding how to further this task. I really needed the time away from the computer and not straining my brain any further than I have these first two days of writing101 or I’ll be more ill for days. So, I posted my pic of my writing first, able to relax feeling ‘mission accomplished’ with at least one post that easily meets the brief.

Next, something I’ve been meaning to do for ages (since HWWP2015 back in April) – source some ready prompt-box-potential vessels. Luckily I keep all sorts of likely to come in handy resources such as jars, tubs and boxes, even though I recycle plenty. Quick assemble of stuff and another photo snap that speaks for itself in how I would be proceeding, for my next step at least, for a photo post on my blog ‘One 4 Fun’.

I left it there at that point because I do have priorities like looking after myself, my dog, my home. Myself and domestic duties are quite neglected most days. Along the way of my mostly non-blogging domesticated day I had, in a round about way, three wishes come true – I’m saving that for another post to link up later. But I certainly found myself with singing uncertainty.

Later in the afternoon I decided ‘how long will it take to just…’ and grabbed my stuff and made play. Documenting each step along the way with quick photo snaps perhaps reads like expect a Blue Peter style tutorial on making a prompt box. You’ll be sorely disappointed if you’d like that post to be the result of my next post(s) –  as you will if you expect anything like pieces of writing 😀 It’s probably fair to say… expected any kind of rubbish…

By the end of my play I found one stray word on a tiny slip of paper that had been knocked to the floor and missed during my main play. This is the word that dictated my title for this post and I reveal it to you here, below.


A snap of the penultimate step of today’s project

Finally, with my project done for now, one last snap at the packed away project, awaiting re-birth in some new way another time, maybe:


The words revealing themselves in this picture are those that settled to the surface after a good shake having finished my play with this prompt task.

(further images and links for above text to perhaps be added at later date – in case you’re interested but don’t have or can’t use a search engine)